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The Trigram Xun, Wind: Loss, Clearing Weather after a Temper Tantrum (Son, kanshaku no seiran), from the series Eight Views of Incidents in Daily Life: Women Representing the Eight Trigrams (Ningen banji ômi hakkei)

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The series title puns on "Eight Views of Ômi" and "Feminine Beauty for the Eight Trigrams" (the symbols used in Chinese-style fortune-telling). Each print shows a kanji character in a magnifying glass (used by a fortune-teller to study the physiognomy of a client) that sounds like the Japanese...

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Signed

Ichiyûsai Kuniyoshi giga 一勇斎国芳画

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, about 1849–50 (Kaei 2–3)

Catalogue Raisonné

The series: Robinson, Kuniyoshi (1961), list #108

Dimensions

Vertical ôban; 37.5 x 25 cm (14 3/4 x 9 13/16 in.)

Accession Number

11.42953

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Collections

Asia

Classifications

Prints