For a discussion of Angiolo Falconetto see David Acton's entry on this artist in Sue Welsh Reed and Richard W. Wallace, Italian Etchers of the Renaissance & Baroque (Boston: Museum of Fine Arts, 1989), pp. 45-6.
Verso, upper left, in pen and black ink, the mark of William Sharp, Manchester (mid-19th cent.)(Lugt 2650); verso, lower left, stamped in red ink, the mark of Henry F. Sewall, New York (1816-1896)(Lugt 1309); verso, lower center, stamped in violet ink, the mark of the MFA Harvey D. Parker Collection (Lugt 1870)
William Sharp, Manchester (mid-19th cent.)(Lugt 2650); Henry F. Sewall, New York (1816-1896)(Lugt 1309); purchased by MFA November 1897
Harvey D. Parker Collection
- Possibly by Angiolo Falconetto, Italian, about 1507–1567
- After Parmigianino (Girolamo Francesco Maria Mazzola), Italian, 1503–1540
Bartsch (Angelo Falcone) 13, i/ii (or a copy?)(the impression in London used in The Illustrated Bartsch is what Bartsch describes as a copy)
Medium or Technique