No. 26 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
Poem: Ogurayama/ minenomomijiba/ kokoroaraba/ imahitotabino/ miyukimatanamu 小倉山 みねのもみぢ葉 こころあらば 今一たびの 御幸またなむ 洛東祇園の片辺に 一人の賤の女あり 天然の美皃 白川院 垣間見たまひて 懸想の余り入て 女御に備たまふ 依て祇園女御と称す 平相国清盛公は 此女性の産所なり 柳下亭種員筆記
Chôôrô Kuniyoshi ga 朝櫻楼国芳画
By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005) NOTES:  Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection
Japanese, Edo period, about 1845–48 (Kôka 2–Kaei 1)
Herwig and Mostow, The Hundred Poets Compared (2007), #26; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.26
Vertical ôban; 37.3 x 24.4 cm (14 11/16 x 9 5/8 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper