User Menu

MFA for Educators

Engage your students with the collections of the Museum of Fine Arts, Boston, to illustrate themes and concepts in any discipline.

Poem by Ono no Komachi: Sonobe Saemon, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)

Start collecting

No. 9 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi. MFA impressions: 11.21825, 11.28611, 11.28613, 11.39593


Poem: Hana no iro wa/ utsurinikeri na/ itazura ni/ waga mi yo ni furu/ nagame seshi ma ni 花の色は うつりにけりな いたずらに 我身よにふる ながめせしまに 園部薄雪が事跡 きハめて定かならず 或曰 足利の代の人なりと(か) 地主の花見に薄雪姫 左エ門を垣間見て 恋衣ふかくも染 一期に盛衰ありし事ハ うすゆき物語に見えたり  柳下亭種員筆記


HIroshige ga 広重画


By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, about 1845–48 (Kôka 2–Kaei 1)

Catalogue Raisonné

Herwig and Mostow, The Hundred Poets Compared (2007), #9; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.9


Vertical ôban

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper