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No. 29, Hashidate, from the series An Excellent Selection of Thirty-six Noted Courtesans (Meigi sanjûroku kasen)

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MFA impressions: 11.42807, 11.45308


橋だての話 こゝろざま をゝしく ひとに まけまじ との をのこたましゐある 太夫にて ゐきじ は いにしへの たかを うすぐも にも をさをさ おとらず ちゃ屋 ふなやど いふにおよ ばず したじたまで ゆきわたりよければ たれありて ほめざるはなし げに 近代 まれの 名妓なりとぞ  春の夜や 大名衆も しらぬ夢  三亭春馬 記     栄中 書


Ôju Toyokuni ga, in toshidama cartouche 応需豊国画(年玉枠)


Censor's seal: Chicken 4 aratame No blockcutter's mark


By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, 1861 (Man'en 2/Bunkyû 1), 4th month

Catalogue Raisonné

C's Ukiyo-e Museum,


Vertical ôban

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper