User Menu

MFA for Educators

Engage your students with the collections of the Museum of Fine Arts, Boston, to illustrate themes and concepts in any discipline.

No. 23, Hitomoto, from the series An Excellent Selection of Thirty-six Noted Courtesans (Meigi sanjûroku kasen)

Start collecting


ひともとの話 わがをとこ ねどりたる うたひめに いで あひしに そが をなご おもながりて せきに えたえざる さまなるにぞ  花ぬすむ 人は さらさら にくからで    人 まどはする 花ぞ うらめし かく ぎんじて うらみたる おももちも せず のどやかに うちかたらひて わかれし ものから そが こころねに いたく はぢやどりし をとこと えにしをたち ふみにて ひた ぶる わびたりとぞ  三亭春馬 記     栄中 書


Ôju Toyokuni ga, in toshidama cartouche 応需豊国画(年玉枠)


By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, 1860 (Ansei 7/Man'en 1), 12th month

Catalogue Raisonné

C's Ukiyo-e Museum,


Vertical ôban

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper