User Menu

MFA for Educators

Engage your students with the collections of the Museum of Fine Arts, Boston, to illustrate themes and concepts in any discipline.

Three Worthies in the Fiery Furnace

Start collecting

Slightly convex plaque shaped like a scale with beaded border on the round edge and six pinholes. Hammered, tooled, champlevé, enameled, and gilded. Enamel colors are lapis blue (two shades), azure blue, light blue, white, turquoise, yellow, green, and red in single and mixed fields of up to...

Show Full Description


By 1853, Princess Isabella Dzialynska (née Czartoryski) (b. 1832 - d. 1899), Goluchow Castle, Poznan, Poland; until World War II, by descent within Czartoryski family [see note 1]. By 1950, J. Pollack (dealer), Paris; sold by Pollack to Wildenstein and Co., New York; 1951, sold by Wildenstein to the MFA [see note 2]. (Accession Date: January 11, 1951) NOTES: [1] During the nineteenth and early twentieth centuries, the Czartoryski family were celebrated collectors of art in Poland. They housed their collections in the Czartoryski Museum, Kraków, and the Goluchow Castle, Poznan. With the German invasion of Poland in 1939, the family hid much of their collection behind a fake wall at Sieniawa Palace (outside Kraków), in the basement of the museum, and in a relative's home in Pewkinie. Nazis eventually discovered and confiscated many of these works of art, which were moved about several times during the war. While Allied forces restituted much of the collection after the war, many objects had been traded, lost, and looted and were not returned to the Czartoryski family. [2] In 1951, Prince Wladyslaw Czartoryski of London filed a lawsuit notifying both Wildenstein and the MFA that this object and another enamel (MFA no. 50.858) had been unlawfully seized by the Nazis from his family's collection during World War II. A settlement was ultimately reached among all parties, giving the MFA full ownership of both enamels. Prince Czartoryski signed an agreement on July 11, 1955 assigning legal ownership of the objects to Wildenstein and the MFA (in MFA curatorial file). It was further arranged between Wildenstein and the MFA that the museum was the full owner of the enamels; this is documented in a letter from Georges Wildenstein to Georg Swarzenski of the MFA (June 30, 1955; in MFA curatorial file).

Credit Line

William Francis Warden Fund

Meuse Region (Maastricht ?), Medieval, about 1150–75


Overall: 20.8 x 22.7 cm (8 3/16 x 8 15/16 in.)

Accession Number


Medium or Technique

Champlevé enamel and gilding on copper