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Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)

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When Turner exhibited this picture at the Royal Academy in 1840 he paired it with the following extract from his unfinished and unpublished poem "Fallacies of Hope" (1812): "Aloft all hands, strike the top-masts and belay; Yon angry setting sun and fierce-edged clouds Declare the Typhon's...

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Consigned by the artist to his dealer, Thomas Griffith (b. 1795); December, 1843, sold by Griffith to John James Ruskin (b. 1785 - d. 1864), London, for his son, John Ruskin (b. 1819 - d. 1900) [see note 1]; April 15, 1869, Ruskin sale, Christie's, London, lot 50, unsold; 1872, sold by Ruskin, through William T. Blodgett (b. about 1832 - d. 1875), New York, to John Taylor Johnston (b. 1820 - d. 1893), New York [see note 2]; December 19-22, 1876, Johnston sale, American Art Association, New York, lot 76, to Alice Sturgis Hooper (b. 1841 - d. 1879), Boston [see note 3]; by descent to her nephew, William Sturgis Hooper Lothrop, Boston; 1899, sold by William Lothrop to the MFA for $65,000. (Accession Date: February 24, 1899) NOTES: [1] See Martin Butlin and Evelyn Joll, "The Paintings of J. M. W. Turner" (New Haven and London, 1984), text vol., pp. 236-237, cat. no. 385 and John Gage, ed., "Collected Correspondence of J. M. W. Turner" (Oxford, 1980), 282-283. [2] See Madeleine Fidell Beaufort and Jeanne K. Welcher, "Some Views of Art Buying in New York in the 1870s and 1880s," Oxford Art Journal 5, no. 1 (1982): 51. [3] For further on Alice Sturgis Hooper, her brother-in-law, Thornton K. Lothrop, and his son, William, see Andrew Walker, "From Private Sermon to Public Masterpiece: J. M. W. Turner's _The Slave Ship_ in Boston, 1876 - 1899," Journal of the Museum of Fine Arts, Boston 6 (1994): 4-13.

Credit Line

Henry Lillie Pierce Fund



90.8 x 122.6 cm (35 3/4 x 48 1/4 in.)

Accession Number


Medium or Technique

Oil on canvas