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Don Baltasar Carlos with a Dwarf

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As court painter to Philip IV, Velázquez painted countless portraits of the king and his family, images at once majestic and human. This charming, child-size version of the traditional royal portrait may commemorate the swearing of allegiance by the nobles of Castile to the two-year-old heir to...

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Center right: A E T A T. S A N N[...] / M E N S 4


Mid-18th century, acquired in Parma by Henry Howard, 4th Earl of Carlisle (b. 1694 - d. 1758), Castle Howard, York, England [see note 1]; by descent within the family until 1900; May 1, 1900, sold by George James Howard, 9th Earl of Carlisle (b. 1843 - d. 1911), Castle Howard, to Messrs. Lawrie and Co., London, for Knoedler and Co., London (stock no. 2583); October, 1900, shipped to Knoedler and Co., New York [see note 2]; 1901, sold by Knoedler to the MFA for $80,000. (Accession Date: February 2, 1901) NOTES: [1] The provenance was provided by Knoedler at the time of the painting's acquisition. The painting was attributed to Correggio until the 19th century, and was thought to represent the Duke of Parma. It was first recorded at Castle Howard in 1769, according to notes from the Keeper of Textiles at Castle Howard (September, 1983; in the MFA curatorial file). [2] Information about the Knoedler transactions was provided by the Getty Research Institute.

Credit Line

Henry Lillie Pierce Fund



128.0 x 101.9 cm (50 3/8 x 40 1/8 in.)

Accession Number


Medium or Technique

Oil on canvas