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Eleven Brigade, North Group, Honjo: Actor Bandô Kamezô I as Kô no Moronô, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)

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MFA impressions: 11.42535, 11.45158 The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various...

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「江戸の花名勝会」「十一」「北組」「田舎そば」「二八楠田」「一子相伝角力赤膏」「兜あらためハ忠臣蔵の何段目」「□名手 本所」「元来牛じま也永代じま新地開発ありて本所と地名なるへし」「回向院境内勧進出角力」「ト二ッ」「つらいくがいを乗切る明智 白い仕かけで雲に龍」「ぬしゆゑにくらうつくしたくかいの此身もゆるむねの火不知火と」「しん上 両関さんえ ひゐき」「雲龍」「不知火」「高師直 坂東亀蔵」「少将の首を小桶に打入て寺より里へおくるはつもの」


Ôju Toyokuni ga, in toshidama cartouche (bottom left); Torii Kiyokuni ga (top); Kunisada ga (bottom right) 応需 豊国画(年玉枠)、鳥居清国画、国貞画


Censor's seal: Boar 1 aratame Blockcutter's mark: Horikô Mino 改印: 亥正改 彫師: 彫工巳の


By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, 1863 (Bunkyû 3), 1st month


Vertical ôban; 35.5 x 24 cm (14 x 9 7/16 in.)

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper