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Caddoan V

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From the early 1960s on, Sander used saturated chromatic fields separated by finely drawn black lines in the simplest of rectangular compositions to focus the viewer on the subtle relationship of tone on tone colors he uses. Like the painting of Giehler and Halley, Sander's work looks back at...

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Provenance

The artist; with Knoedler & Co., Inc., New York; to MFA, Boston, 1980

Credit Line

Sophie M. Friedman Fund

1973

Accession Number

1980.195

Medium or Technique

Oil on canvas

Collections

Contemporary Art

Classifications

Paintings