User Menu

MFA for Educators

Engage your students with the collections of the Museum of Fine Arts, Boston, to illustrate themes and concepts in any discipline.

Poem by Sangi Hitoshi: Sôgen (=Seigen), from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)

Start collecting

No. 39 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.


Poem: Asajifuno/ ononoshinohara/ shinoburedo/ amaritenadoka/ hitonokoishisa あさぢふの おののしの原 忍ぶれど あまりてなどか 人の恋しき 洛北岩倉に庵を結ぶ宗玄といへる釈門あり 大友の息女 折琴姫が艶なる姿に迷ひ 破戒無慙の有様なりしが 其兄道助が為に刃に伏す  柳下亭種員筆記


Hiroshige ga 広重画


By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, about 1845–48 (Kôka 2–Kaei 1)

Catalogue Raisonné

Herwig and Mostow, The Hundred Poets Compared (2007), #39; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.39


Vertical ôban; 37.1 x 24.8 cm (14 5/8 x 9 3/4 in.)

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper