No. 71 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
Poem: Yufu-zareba/kado-ta no inaba/otozurete/ashi no maro-ya ni/aki-kaze zo fuku 夕されば かど田のいなば おとづれて あしのまろやに 秋風ぞ吹く 鳥羽玉の夜に まぎれつヽ網引する平治が孝ハ 伊勢の海より深く 其を見とがめし 平川原が手にのこりたる印の笠に古主の恩を着る蓑ハ 遖忠孝一対の倭国魂 柳下亭種員筆記
Ichiyûsai Kuniyoshi ga 一勇斎国芳画
By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911) NOTES:  Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection
Japanese, Edo period, about 1845–48 (Kôka 2–Kaei 1)
Herwig and Mostow, The Hundred Poets Compared (2007), #71; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.71
Vertical ôban; 37.1 x 24.9 cm (14 5/8 x 9 13/16 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper