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Parody of the Three Evening Poems: Teika, Jakuren, and Saigyô

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Inscription

Poems: Teika: Miwataseba/ hana mo momiji mo/ nakakeri/ ura no tomaya no/ aki no yûgure Jakuren: Sabishisa wa/ sono iro to shi mo/ nakarikeri/ maki tatsu yama no/ aki no yûgure Saigyo: Kokoro naki/ mi ni mo aware wa/ shirarekeri/ shigi tatsu sawa no/ aki no yûgure 定家 みわたせは花も ももぢも なかりけり 浦の とまやの秋の 夕暮 寂連 さびしさは そのいろとしも なかりけり 槙たつ山の 秋の夕くれ 西行 心なきみにも あはれは しられけり 鴫たつ さはの秋の夕暮

Signed

Suzuki Harunobu ga (in three places) 鈴木春信画

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, about 1763–64 (Hôreki 13–Meiwa 1)

Catalogue Raisonné

Waterhouse cat. #011; Ukiyo-e shûka 4 (1979), list #85.1-3, and supp. 1 (1982), pl. 10; Clark, Morse, Virgin, and Hockley, Dawn of the Floating World (2000-1), #141; MFA, Printed Treasures (2008), #22; Chiba 2002 (this impression)

Dimensions

Uncut hosoban triptych on horizontal ôban sheet; 26.8 x 41.4 cm (10 9/16 x 16 5/16 in. )

Accession Number

11.19703

Medium or Technique

Woodblock print (benizuri-e); ink and limited color on paper

Collections

Asia

Classifications

Prints