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Miya Station: The Grave of the Returning Spirit (Miya no eki, Hangonzuka), from the series Fifty-three Pairings for the Tôkaidô Road (Tôkaidô gojûsan tsui)

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Station 42, from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi. MFA impressions: 11.22416, 11.30435, 11.45385.42


反魂塚  むかし藤といふ女有 その夫奥州の方へ遠征に行て久しく帰らつ 妻これを歎きて終に空しくなる 夫月を累ねて帰り愁傷し東岸居士といふ名僧に願ひければ反魂の法を行ひ烟中に姿をあらはしたまふ その藤女か塚といふ


Ôju Toyokuni ga 応需豊国画


Censor's seal: Mura


By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911) NOTES: [1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection

Japanese, Edo period, about 1845–46 (Kôka 2–3)

Catalogue Raisonné

Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S44.43


Vertical ôban; 35.7 x 23.5 cm (14 1/16 x 9 1/4 in.)

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper