This is a head and torso fragment of a shawabty of Queen Nasalsa. The object was broken in three pieces and is mended. When complete, this type consists of a female figure wearing the queen's vulture headdress over the tripartite wig. The vulture's head is broken off. This mummiform shape does...
This is a head and torso fragment of a shawabty of Queen Nasalsa. The object was broken in three pieces and is mended. When complete, this type consists of a female figure wearing the queen's vulture headdress over the tripartite wig. The vulture's head is broken off. This mummiform shape does not have a back pillar or base. There are typically seven horizontal lines of incised text encircling the body but only two lines and part of a third remain. The text is framed and there is a narrow blank area up the center of the back. Here the hands are opposed and the arms are not crossed. In each hand the figure holds a hoe. In addition the left hand holds a cord to a seed bag which is slung over the left shoulder. "XXIV" is written in black on the back of the right arm. The right hand, left arm, and left ear are chipped. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Nuri, Pyramid 24 (tomb of Queen Nasalsa). 1918: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.
Harvard University—Boston Museum of Fine Arts Expedition