This is a shawabty of Queen Mernua. The female figure wears a tripartite wig. There is 1 line of incised text up the center of the front. The text is framed and there is a narrow blank area up the center of the back. The object was broken in 4 pieces and is not mended. There are also 8 chips in...
This is a shawabty of Queen Mernua. The female figure wears a tripartite wig. There is 1 line of incised text up the center of the front. The text is framed and there is a narrow blank area up the center of the back. The object was broken in 4 pieces and is not mended. There are also 8 chips in a bag. This mummiform shape does not have a back pillar or base. THere is a large chip missing from the left arm and right elbow. The tops of the hands, the lappets, the face, and the front of the wig are very worn. There is much mud encrustation on the back. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, and poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Meroe Beg. S. 85 (tomb of queen Mernua). 1923: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition