This is a shawabty belonging to King Malonaqen. The object was broken in two pieces and it is not mended. The figure wears the king's nemes headdress with uraeus and has a long beard. There are seven horizontal lines of incised text with traces of black paint encircling the body. The text is...
This is a shawabty belonging to King Malonaqen. The object was broken in two pieces and it is not mended. The figure wears the king's nemes headdress with uraeus and has a long beard. There are seven horizontal lines of incised text with traces of black paint encircling the body. The text is framed and there is a narrow blank area up the center of the back. The first register starts at hand height. The implements are finely detailed in raised relief. This mummiform shape does not have a back pillar or base. The arms are not crossed, the hands are positioned right above left. In each hand the figure holds a hoe. In addition the left hand holds a cord to a seed bag which is slung over the left shoulder. The toes are missing. The nose, the uraeus, the beard and the right ear are chipped. The back is damaged. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan) Nuri, Pyramid 5 (tomb of Malonaqen), in debris and a few in place along the south wall. 1917: Excavated by the Harvard University-Museum of Fine Arts Expedition; assigned to the MFA by the government of Egypt.
Harvard University—Boston Museum of Fine Arts Expedition