This is a shawabty belonging to King Taharqa. The figure wears the king's nemes headdress with uraeus and has a long beard. There are 2 horizontal lines of incised text which is unframed and does not extend around the back of the body. This mummiform shape does not have a back pillar or base....
This is a shawabty belonging to King Taharqa. The figure wears the king's nemes headdress with uraeus and has a long beard. There are 2 horizontal lines of incised text which is unframed and does not extend around the back of the body. This mummiform shape does not have a back pillar or base. The king holds the implements of ruler ship, the flail on the left and the crook on the right shoulder. The hands are opposed. The mid legs and base of this figure are missing. Part of the crook on the left shoulder is chipped off and the tip of the beard is completely broken off. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan) Nuri, Pyramid 1 (Tomb of Taharqa), A VII 5. 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition