This is a shawabty of King Shabaka. The male figure wears a tripartite wig and has a long beard. There is one unframed column of painted (not incised) text on the front of the figure. There is also a single column of text on the back and sides. The inscription is very worn. The text extends onto...
This is a shawabty of King Shabaka. The male figure wears a tripartite wig and has a long beard. There is one unframed column of painted (not incised) text on the front of the figure. There is also a single column of text on the back and sides. The inscription is very worn. The text extends onto the front of the foot. The object was broken in three pieces and is now mended. This mummiforn shape does not have a back pillar or base. No hands or implements are depicted. There is a chip on the base of the beard, on the left side of the head, on the bottom of the left lappet and on the right shoulder and head. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), el-Kurru, Pyramid 15 (tomb of King Shabaka), debris of chambers. 1919: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition