This is a shawabty belonging to King Senkamanisken. The figure wears the king's nemes headdress with double uraeus and has a plaited beard attached by an incised chin strap. Here the arms are crossed and the hands are directly opposite each other. The hands and fingers are detailed. The king...
This is a shawabty belonging to King Senkamanisken. The figure wears the king's nemes headdress with double uraeus and has a plaited beard attached by an incised chin strap. Here the arms are crossed and the hands are directly opposite each other. The hands and fingers are detailed. The king holds the implements of rulership, the flail on the right shoulder and the crook on the left. There are six horizontal lines of incised hieroglyphic text encircling the body. The text is framed and there is a narrow blank area up the center of the back. There is a footmark on the bottom of the foot which is number 23 in Dows Dunham’s typology, updated by Joyce Haynes (MFA, 2008). There is a sculpted indentation separating the feet. This mummiform shape does not have a back pillar or base. There are detailed cosmetic eyelines on the brow and the eye. A multistranded wesekh (broad) collar is visible. The object was broken in two pieces and is mended. Each shawabty has distinctive, individualized facial features. The uraeus is chipped and there are horizontal striations on the pigtail. The tomb of King Senkamanisken contained three types of shawabty figures, small scale faience, large scale faience, and dark brown serpentinite. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Nuri, Pyramid 3 (tomb of Senkamanisken) Room C, South side. 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition