This is a shawabty belonging to King Senkamanisken. The figure wears the king's nemes headdress with double uraeus and has a plaited beard attached by an incised chin strap. Here the arms are crossed and the hands are directly opposite each other. In each hand the figure holds a hoe, the hoe on...
This is a shawabty belonging to King Senkamanisken. The figure wears the king's nemes headdress with double uraeus and has a plaited beard attached by an incised chin strap. Here the arms are crossed and the hands are directly opposite each other. In each hand the figure holds a hoe, the hoe on the right is broader than the hoe on the left shoulder. In addition the left hand holds a cord to a seed bag which is slung over the left shoulder. The seed bag is roughly square with a tassel with a forked end hanging from the center of the bottom of the bag. There are six horizontal lines of incised hieroglyphic text encircling the body. The text is framed and there is a narrow blank area up the center of the back. This mummiform shape does not have a back pillar or base. There are detailed cosmetic eyelines on the brow and the eye. There is a very large chip on the front of the feet. The uraeus is worn. There are also chips on the back, right elbow, and the top of the nemes. The tip of the beard is completely chipped off. The insides of the hieroglyphs are black. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Nuri, Pyramid 3 (tomb of Senkamanisken) Room C south part. 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition