These are 5 shawabty fragments belonging to an unidentified king or queen. They are uninscribed. The arms are crossed and the hands are right over left. One hoe is held in the right hand resting on the left shoulder and the left hand holds a cord to a small seed basket slung over the right...
These are 5 shawabty fragments belonging to an unidentified king or queen. They are uninscribed. The arms are crossed and the hands are right over left. One hoe is held in the right hand resting on the left shoulder and the left hand holds a cord to a small seed basket slung over the right shoulder. The fragments comprise 2 leg fragments, one torso fragment with a back pillar that is not raised, a legs and feet fragment with a base and raised back pillar, and a legs and lower torso fragment with a raised back pillar. The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Gebel Barkal B 503. 1916: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.
Harvard University—Boston Museum of Fine Arts Expedition
Nubian, Napatan Period, 750–270 B.C.